
The Gilded Age Season 4: A Fashionable Return to New York Society

By André Leon Talley


By André Leon Talley
The highly anticipated fourth season of HBO's acclaimed period drama, 'The Gilded Age,' returns, captivating audiences with its portrayal of New York high society at the close of the 19th century. This season, while featuring the familiar ensemble cast including Carrie Coon, Christine Baranski, Audra McDonald, Cynthia Nixon, and Morgan Spector, distinguishes itself through a remarkable evolution in costume design. The attire in this installment transcends mere historical accuracy, becoming a crucial narrative element that mirrors the characters' emotional journeys and the societal tensions between established wealth and emergent fortunes. As the intricate plot unfolds, marked by significant life events such as marriage and childbirth, the luxurious gowns, exquisite jewelry, and overall sartorial splendor are more pronounced than ever, making fashion an integral part of the show's dramatic appeal.
Costume designer Kasia Walicka-Maimone, with her dedicated team, continues to draw inspiration from the dynamic fashion landscape of New York City between the 1870s and 1890s, a period characterized by rapid changes in trends and silhouettes. This season, however, introduces a more experimental approach, integrating traditional elements with subtle modern touches. Elizabeth L. Block, author of 'Gilded Age Fashion,' highlights this shift, noting the increased artistic license in the designs. For instance, Marian's sleeveless top at an after-wedding party downtown represents a departure from strict historical replication, offering a playful juxtaposition that resonates with contemporary sensibilities while still grounding the aesthetic in the era's evolving styles.
A notable aspect of this season's costuming is the strategic use of color and detail to convey character development. The socialite sisters Agnes van Rhijn and Ada, for example, exhibit a more vibrant wardrobe, moving beyond the somber tones of past seasons. Ada, having emerged from mourning, now embraces lighter color palettes like pink and green, adorned with intricate embroidery and rich textures. This sartorial shift symbolizes her newfound joy and freedom. Similarly, Peggy and her mother, Mrs. Scott, demonstrate their affluence and discerning taste through their impeccably detailed and embellished garments, which subtly communicate their social standing without overt declarations.
Bertha Russell, a central figure known for her assertive use of fashion, further exemplifies this connection between attire and character. Despite an initial portrayal in more subdued clothing during a pivotal family event, she quickly re-emerges in grand ensembles featuring diamond tiaras, elaborate sleeves, and full-skirted ball gowns. This transformation underscores her commanding presence and her use of clothing as a form of armor and communication in the competitive social arena. The wedding of Enid Winterton and Oscar van Rhijn provides another significant fashion moment, with Enid's opulent pinkish-lavender gown, adorned with flowers and striking accessories, symbolizing the flamboyant nature often associated with new money. This look, described as a 'lavender marriage' dress, perfectly captures the elegant yet unconventional dynamic of the couple, marking her grand debut into society.
Furthermore, Marian Brook's evolving style reflects her character's progressive outlook. Her vivid mint green and black striped gown, paired with a matching hat, strikes a balance between boldness and the more mature aesthetic of her aunts. Her blue lace gown with velvet shoulder details and opera gloves, revealing a touch more skin than her older counterparts, signifies her embrace of modernity and independence. The meticulous attention to accessories, particularly Enid's breathtaking diamond necklace and whimsical hats, adds another layer of visual richness, making them a source of constant delight for viewers. Ultimately, the fashion in 'The Gilded Age' season 4 is not merely decorative; it is an indispensable element that drives the drama, offering profound insights into the characters and the complex social dynamics of the era.
About the author

Former creative director and editor-at-large at Vogue, a towering and influential figure in fashion journalism.

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