Hana Jusic Discusses Her Oscar Contender 'God Will Not Help'

Hana Jusic, the director of Croatia's official Oscar submission, 'God Will Not Help,' offers a compelling look into her thought-provoking period drama. The film introduces a Chilean widow into a traditional, male-dominated Croatian community in the early 20th century, exploring the profound impact of her presence. Jusic masterfully weaves elements of gothic storytelling and genre horror, drawing comparisons to classic literature such as 'Wuthering Heights,' to create a captivating narrative that transcends time. The director's artistic vision shines through in her choice of Chilean actress Manuela Martelli to portray Teresa, a mysterious newcomer who, despite a language barrier, forms a significant bond with another outsider, Milena.

Jusic reveals that the initial spark for her second feature film originated from a desire to collaborate with Manuela Martelli, leading her to creatively bridge the geographical and cultural distance between Croatia and Chile. This led to the ingenious concept of a Chilean woman returning to Croatia, challenging the era's conventional migration patterns. A central theme of the film revolves around communication breakdown and the innovative ways individuals forge connections beyond spoken language. Jusic highlights how Teresa and Milena utilize shared symbols, particularly from the Bible, to construct their unique form of dialogue, reflecting the director's fascination with non-verbal expression and the projections people cast upon one another. Jusic stresses the film's contemporary relevance, particularly in its depiction of women's societal roles and its parallel to Croatia's recent experiences with immigration, emphasizing universal themes of the unknown and fear of the 'other.'

The film's atmospheric depth, characterized by a gothic undertone, and its intentionally provocative title, 'God Will Not Help,' serve as critical components of Jusic's artistic statement. The director intentionally plays with the trope of 'witchery' to critique societal norms and expectations placed upon women who deviate from them. The chosen title, borrowed from a Croatian poet, is a deliberate challenge to the simplistic notion of divine intervention, instead advocating for mutual support and human connection in the face of life's adversities, as exemplified by the evolving relationship between Teresa and Milena, two marginalized figures finding solidarity.

Hana Jusic's 'God Will Not Help' is more than just a historical drama; it is a profound exploration of human connection, cultural collision, and the enduring strength of the individual spirit. The film urges audiences to look beyond superficial differences and embrace the power of empathy and mutual aid. It reminds us that while external forces may seem overwhelming, the capacity for compassion and resilience within communities can light the way forward, fostering understanding and challenging preconceived notions, ultimately inspiring a more unified and supportive world.