
NAZA Documentary Exceeds Half-Million Mark Independently Despite Protests

By Ta-Nehisi Coates


By Ta-Nehisi Coates
In a striking display of independent filmmaking prowess, “NAZA,” a documentary focusing on military operations in Gaza, has achieved significant box office success during its second week. The film, which has bypassed traditional distribution channels, remarkably surpassed the $500,000 mark in domestic earnings. Expanding to 85 theaters across 30 cities in North America, it brought in an estimated $378,250 over a four-day weekend, averaging $4,450 per screen.
The compelling narrative of “NAZA” is brought to life by co-directors Yuval Abraham and Rachel Szor. Both filmmakers are recognized for their work on the 2024 Oscar-winning documentary “No Other Land,” lending considerable weight to their latest project. Their collaboration on “NAZA” continues their exploration of complex geopolitical landscapes, offering a profound look into the Israeli-Palestinian context.
“NAZA” made its grand debut at the Venice Film Festival, where it was honored with a special jury prize and received an extraordinary, record-breaking ovation that lasted over 20 minutes. Its independent release in the United States is supported by notable media organizations such as The Guardian and MK2, with plans to extend its theatrical run to more venues in the upcoming weeks. The film has also garnered a perfect 100% approval rating from critics on Rotten Tomatoes.
Critics have lauded “NAZA” for its unflinching honesty and meticulous research. Jordan Mintzer, in his review for The Hollywood Reporter, described the documentary as a “sober and thoroughly documented bombshell of an exposé.” This critical acclaim underscores the film's significance as a powerful piece of investigative journalism and cinematic storytelling.
Despite its critical and commercial success, “NAZA” has not been without controversy. Its expanded screenings across the United States have been met with organized protests. The Israeli-American Council (IAC) led demonstrations outside theaters, including one in North Hollywood, asserting their mission to present what they call “the truth” wherever “lies are told about Israel.” The IAC also staged protests during the film’s New York Film Festival premiere. Furthermore, the Israeli Defense Force (IDF) has publicly criticized the documentary, labeling it as a “distorted, misleading and disingenuous picture of the IDF’s target planning and striking process.”
About the author

Author and journalist whose work on culture, race, and history includes writing for Marvel's "Black Panther."

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