
Public School's Grand Return: A Conversation with Maxwell Osborne and Dao-Yi Chow on Their Brand's Rebirth and New York Fashion Week's Enduring Relevance

By Gloria Vanderbilt


By Gloria Vanderbilt
Maxwell Osborne and Dao-Yi Chow, two native New Yorkers, established Public School in 2008, swiftly becoming prominent figures in the local fashion scene. Their brand's identity has always been deeply rooted in their shared admiration for New York City. After achieving critical acclaim, including multiple CFDA awards, and even serving as creative directors for DKNY, the duo made the decision to temporarily suspend their label during the pandemic. However, they made a powerful return to New York Fashion Week in February, demonstrating their enduring impact on the industry.
Prior to their much-anticipated Spring-Summer 2027 runway show, I had the privilege of previewing their upcoming collection. The designs presented a holistic and contemporary wardrobe, featuring familiar silhouettes reimagined with a fresh perspective. Notable pieces included tailored dress shirts crafted from luxurious Japanese cotton-silk blends with distinctive French cuffs, wide-leg barrel jeans in diverse blue washes, and my personal favorite: elongated cargo shorts made from tropical wool, boasting functional buttons from hem to waistband. The collection predominantly features local manufacturing, with some elements produced in Los Angeles and Italy.
My discussion with Osborne and Chow revolved around several key themes: how their extended break allowed for a crucial brand recalibration, their exciting new partnership with Nike ACG, and their firm conviction in the continued importance of staging runway shows in New York.
Osborne revealed that his interest in fashion wasn't sparked by a single event but rather a lifelong immersion in style. His experience working in retail, coupled with his observations of seasonal trends, eventually led him to discover his passion for design. Chow, on the other hand, attributes his fashion awakening to the vibrant hip-hop culture of early 1990s New York City, which shaped his understanding of style as a powerful expression of identity.
Both designers fondly recalled their first substantial fashion purchases. Osborne's was a pair of expensive Jordans, a hard-won acquisition after a persuasive battle with his mother. Chow also mentioned Jordans, specifically the Olympic 6s from 1992, which he bought with his own money. He later cited Prada sneakers from 1999 as his first high-fashion acquisition, an iconic purchase made with friends.
Osborne and Chow's professional relationship began at Sean John, where they forged a strong friendship. This period instilled in them an ambition to exceed conventional boundaries and leverage their New York upbringing. Their early careers provided unique opportunities for global travel, exposing them to diverse cultures and manufacturing processes in places like Japan and India, experiences that profoundly influenced their design philosophies.
The designers articulated that their hiatus was a deliberate and essential period of introspection. The relentless pace of producing multiple collections annually, especially during their tenure at DKNY, led to a loss of focus and purpose. The pandemic provided an unexpected opportunity for a prolonged break, which, while longer than anticipated, allowed them to thoughtfully re-evaluate and return with renewed clarity and intention.
Osborne and Chow observed a significant shift in menswear, noting that men are now more engaged with their clothing and personal style than ever before. They emphasized fashion's role as a potent tool for self-expression and community identification. This increased attention has, in turn, created more opportunities for emerging brands in the industry.
The designers offered their perspectives on New York City's evolution over the past decade. They acknowledged the pandemic's profound impact, noting how it led to an economic recovery that attracted new wealth and accelerated gentrification. However, they also expressed optimism, citing the city's spirit of unity and collective rebuilding, particularly under the current mayoral leadership, which they believe is fostering a happier, more cohesive New York.
For Osborne and Chow, New York City embodies constant reinvention, a principle that extends to personal style. They draw inspiration from the city's diverse street life, observing how individuals blend various influences to create unique looks. This continuous process of adaptation and innovation is, for them, the very heart of New York's fashion identity.
When asked about new and exciting brands, Osborne highlighted Bryan Jimenez, Greg Laboratory, and Zane Li as designers currently capturing their attention.
The new collection, aptly named "Living Proof," draws inspiration from New York's climate and urban environment. Osborne explained that it explores the concept of a "new New York" and its evolving sartorial uniform. Chow elaborated on the collection's focus on modularity and adaptability, designed to equip New Yorkers for the city's increasingly extreme and unpredictable weather conditions. It's about preparedness and resilience, reflecting the multifaceted challenges of urban life.
In an era where many brands are opting for presentations or showroom appointments, Public School remains committed to runway shows. Osborne emphasized the unique sense of community and connection that a runway event fosters, allowing designers to engage directly with their audience and witness the garments come to life. Chow added that it's about preserving tradition, especially as many New York brands migrate to Paris. They feel a responsibility to honor New York Fashion Week and the unparalleled energy it generates.
Chow introduced their collaboration with Nike ACG, featuring the Air Max Goadome boots, a quintessential winter shoe for New Yorkers. He explained the boot's evolution from a mountain utility item to an unofficial symbol of New York nightlife, particularly among security guards in the 2000s. The timing of their brand's relaunch coincided perfectly with Nike's reintroduction of the boots, leading to a collaboration that reimagined the boot with a double monk strap. Initially not intended for commercial release, the overwhelming positive reaction on the runway prompted Nike to make them available to the public, with a release date of September 11th.
Chow envisions Public School expanding with its own flagship stores in New York and internationally. He foresees a growing demographic of men who value craftsmanship and seek a sophisticated wardrobe free from overt branding. Osborne echoed this sentiment, affirming their collective ambition for the brand's future.
About the author

Fashion designer, artist, and author, known for jeans and writing about style and her extraordinary life.

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